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Pearls on the Ocean Floor NYC Premiere
Written by Lee Wells   
Monday, 06 September 2010
qajar_02-1.jpgRobert Adanto's Pearls on the Ocean Floor to Screen in NYC.

Bennett Media Studio is proud to present Robert Adanto's new documentary examining the lives and works of Iranian female artists living and working in and outside the Islamic Republic. Many remember Robert's debut film The Rising Tide, which examining the dynamic Chinese contemporary scene and which PAM helped produce. That film was screened all over the world and Pearls on the Ocean Floor, completed in  June, has already screened at Yerba
Buena Center for the Arts in San Francisco and at LACMA's Leo S. Bing Theater in Los Angeles. It will be screening at the San Francisco Institute of the Arts next month and the California Biennial in December. The film will make its NYC debut late this month.

There are three screenings planned:

Wednesday, September 22nd at 7:00pm;
Thursday, September 23rd at 7:00pm,
and Friday, September 24th at 9:00pm.

Bennett Media Studio

723 Washington St.
Manhattan, NY


There is limited seating and a $10.00 admission fee.

To RSVP: email This email address is being protected from spam bots, you need Javascript enabled to view it Please indicate which date you plan to attend, write your full name, cell number and amount of tickets you plan to purchase.

About the Film:

Since June of 2009, Iran citizens have periodically taken to the streets to protest the results of a disputed election. Thirty years after the Islamic Revolution of 1979, a proud nation once again stands at a crossroads. The Green movement, built of a courageous populace seeking justice from an entrenched and imploding regime, continues to seek change in Iran, despite shockingly brutal government forces.

There is no better time than the present to examine this fascinating nation and no better approach than through the visual imagery of female artists. It is women who have collectively bore the brunt of an oppressive regime and the bias of a western media that has repeatedly constructed one-dimensional images portraying them as humorless, repressed, second-class citizens in black chadors.

image002.jpg


Robert Adanto’s Pearls on the Ocean Floor challenges this stereotype and caricature obscuring the vibrant and robust culture in Iran and its diaspora. Professor Hamid Dabashi recently wrote, “a much more patient reading of the visual and performing arts of this generation is needed before we know what in the world it is doing.” Indeed, as the younger generation invents a new identity for the 21st century, replacing the religious ideology and revolutionary fervor of the state’s credo, contradictions abound. Photographer Shadi Ghadirian explains that her work “touches upon our struggle to hold on to our parents’ and grandparents’ traditional values and practices while experiencing the benefits of modernity without getting caught up in its vices… Change is an inevitable process,” she says. Facing issues of identity, gender, and social restrictions, the artists featured in “Pearls on the Ocean Floor” speak with a compelling quiet reserve and a striking boldness. Their work reveals encounters between
religion and secular modernity, change and tradition, contemporary life and history. These brave women know now more than ever that their voices must be heard and their people understood. Through their words and their art, the real Iran will be discovered and this important historical moment has been documented.


Last Updated ( Monday, 06 September 2010 )
 
The Take @ The Guggenheim Museum - PARTICIPATE NOW !!!
Written by Perpetual Art Machine   
Tuesday, 10 August 2010
Youtube Play Guggenheim Biennial


The Take
is a blog created by the Guggenheim and inspired by YouTube Play. A Biennial of Creative Video. With writing by experts, scholars, and artists from the worlds of film, video, and Internet culture, the Take will feature discussions on digital content, the history of video art, and online video and its effects on art and life.

From July 15 until November 1, the Take will be updated weekly with brief reflections on myriad subjects like the history of Internet and video art, the distribution of information in an era of instant access to global audiences, video sharing before there was YouTube, online identity and vlogging, how museums and art institutions treat online video, artists’ uses of YouTube, the cat meme on the Internet, and GIFs as artworks, among many others. Artists will share their favorite YouTube videos, and the Guggenheim will feature interviews with people who have made important contributions to life online.

Drawing on the global scope of YouTube Play, it is the Guggenheim’s hope that the Take will stimulate worldwide discussion well beyond our guest bloggers. Visit the Take to voice your opinions and share your thoughts by commenting on the posts.

PAM Co-founder Lee Wells has been invited to contribute some thoughts to The Take Blog which will go live in early September. So stay tuned and PARTICIPATE !!!!



Last Updated ( Tuesday, 10 August 2010 )
 
FINAL HOURS !!!!!! SUBMIT YOUR VIDEO TO YOUTUBE PLAY
Written by Lee Wells   
Saturday, 31 July 2010
Play Biennial of Creative Video

FINAL HOURS !!!!!! SUBMIT YOUR VIDEO TO

YOUTUBE PLAY. A BIENNIAL OF CREATIVE VIDEO

Participate Now.

Deadline for Submissions:

Saturday, July 31, 3 pm EDT

Please tell them that PAM sent you

 Open to the entire global community, YouTube Play aims to discover and showcase the most exceptional talent working in the ever-expanding realm of online video. We invite creators of any genre, technique, background, or budget to submit a video for consideration by the Guggenheim now through July 31, 2010, 3 pm EDT. Any form of creative video is welcome, including animation, motion graphics, narrative, non-narrative, or documentary work, music videos, and entirely new art forms.

Video: About YouTube Play | Creative Criteria | FAQ | Submit a Video


Stay connected with the Guggenheim for updates, and follow the conversation on Twitter with #YouTubePlay.


Last Updated ( Saturday, 31 July 2010 )
 
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