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Artists Meeting At Verge Art Fair - Dylan Hotel
Written by Lee Wells   
Thursday, 04 March 2010
artists-meeting-art-machine.jpg

Verge Art Fair
New York 2010, 4-7 March
The Dylan Hotel, 52 East 41st Street

Artist Meeting Art Machine(SM)

The Artist Meeting Art Machine(SM) is a hacked together custom fine art dispensing device inspired by self service kiosks, Japanese automats, slot machines, ATM's, juke boxes, shopping malls and carnival games. An anarchists automat of sorts, The Art Machine(SM) creates a fun and accessible means for the public to engage with original 21st century avant-garde artwork and acquire it at recession level pricing. Artist Meeting is able to do this through intentionally undervaluing its products, cutting out the middle-man and automating the process of valuation, choice and the art of the sale. The Art Machine(SM) creates a subtle critique on capitalism and the art world and changes the art buying experience for the viewer. It is an art market hack.

The Art Machine(SM) will dispense an assortment of custom made objects and drawings via a $20 token operated system of mechanical and digital modules embedded in a 10 x 8 foot transparent plastic wall. The Art Machine(SM) process will randomly alternate between a drawing module and object module dispensing various AM art objects such as AM t-shirts and underwear, DIY intervention kits, AM 'Zines, photo books, digital prints, and other small artworks and ephemera the member artists have created for this project including over 300 feet of collaborative mixed media drawing.

For more information goto: http://www.vergeartfair.com/events_NYC10.html

artistsmeeting-market-watch.jpg

ARTISTS MEETING MARKET WATCH
Saturday, March 6 - 1PM

Organized by Lee Wells, IFAC Arts, with G.H. Hovagimyan and others TBA

Artists Meeting members G.H. Hovagimyan and Lee Wells are joined by special guests for an open discussion on the effects of the market on artistic production, marketing and making a living in the 21st century

"All an artist needs is a poet and a patron." - Charles Baudelaire.
"We are not dead yet, so buy now" - Lee Wells

Baudelaire supported his poetry habit by writing art criticism.

There are two external parts to the mechanics of art: The first is the theoretical and/or linguistic analysis (the contextualizing) of an artwork and the second is the financial support for artworks by a patron. This second dynamic is especially interesting because the patron's demand always influences the artwork. It follows that artists must generate their own criticism and capitalize their own work if they are to advance beyond this established mechanic. One resolution to this situation is the need for artists to create their own segment of the market, in which they can control the critical discourse and re-assert the rigorous values of their own practices.

One might begin this project by deconstructing various aspects of the art market and the artist's means of production, then proposing alternative ways to approach art making and the art market. For example, the art market is most comfortable with a brand name artist and a signature style. Working in collaborative artists groups can be a counteractive methodology more in tune with 21st Century networked culture. The analysis of the money transactions surrounding art is also a subject for expanded invention.

A perennial subject among artists is how to get money to sustain their practice. Thus, de-emphasizing the art object and focusing on the entire creative process provides an alternative way to expand the idea of both the market and the contextualizing of an artwork. Under this set of guidelines, the issue becomes not what type of art an artist produces but rather how the production process itself facilitates the evolution of a creative project; how one solves the problems of making art and being an artist.

For more information goto: http://www.vergeartfair.com/Verge_NYC_Conversations.html

 

ABOUT ARTISTS MEETING
Artists Meeting is an international, semi-anonymous arts collective based in New York City. Begun in 2006, as a research project and experiment in collaboration and the creative process, Artists Meeting has participated numerous events including; Conflux, Pulse Miami, Dokfest, the Dumbo Arts Festival and Postmasters Gallery. Artists Meeting members have exhibited their work in many major museums around the world including; MoMA, The Whitney Museum, Jeu du Paume, SF MoMA, Musée D'Art Contemporain de Marseille, The Walker Art Center, Musée D'art, Contemporain de Lyon, PS1, The State Hermitage Museum and MCA Chicago.

ABOUT VERGE
Verge is an international platform for the most exciting and interesting in new and emerging art. Verge exists to establish boundaries of the extraordinary as a counter to the natural compulsion towards stagnation in the way art is evaluated and delivered to the public. Staying true to this necessary state for the advancement of art requires a sustained focus on the best new ideas and practices of those marginal or newly emerging to international art audiences. The satisfaction of this fixed requirement for a healthy and competitive artistic culture is at the core of Verge as an international exposition of the highest quality artistic production and the galleries, museums and audiences who sustain it.

PROFESSIONAL PREVIEW
Thursday, March 4, 2010, Noon to 6:00 pm

PLEASE NOTE: Admission to the Professional Preview is given to press and VIP
(both Verge, Armory Show and Volta cards are accepted) cardholders only. The
Opening Night Preview is for those cardholders and for paid public
admission.

OPENING NIGHT PREVIEW RECEPTION
Thursday, March 4, 2010, 6:00 to 10:00 pm

FOR MORE INFORMATION GOTO: www.vergeartfair.com


artists-meeting-photo1.1.jpg

www.artistsmeeting.org



Last Updated ( Thursday, 04 March 2010 )
 
The Scope Foundation Presents - Scope New York 2010
Written by Lee Wells   
Wednesday, 03 March 2010
Be sure not to miss the exceptional programming at this years Scope New York at Lincoln Center.

SCOPE Markt:

About Markt
SCOPE Miami 2009 saw the launch of SCOPE Markt, a fashion focused exhibition that drew high acclaim. SCOPE New York 2010 will see the second incarnation of "Markt" with the appointment of Diane Pernet, a leading fashion journalist and the creator of 'A Shaded View on Fashion' blog and film festival. "I was very excited when I heard about the SCOPE project because what interests me the most now is the interaction between fashion, art and film," says Diane Pernet. "There are many designers that just make clothes and there are others who are linked to art and creation. Their work blurs the boundaries of what is normally considered art or fashion. In addition to the fashion/art curation I will be screening a selection of out of competition films from the second edition of ASVOFF. I have two main loves, fashion and film and this exhibition gives me the opportunity to combine the two." Markt will feature a range of designers whose work cross-pollinates with the art world. In addition, to further support the creative positioning of SCOPE 2010 Markt, a series of installations will be organized in collaboration with exhibiting designers and leading figures in art and fashion.

Thirty percent of all proceeds from Markt will benefit the SCOPE Foundation

Mission Statement
You know, fashion is either put on a pedestal or hung on a hanger. How did that happen? What's on the racks can sometimes be touching but it’s seldom thrilling. The most bewitching fashion only ever leaves the catwalk when it's lifeless in a magazine or suffocating in a glass box at some museum. I don't know if fashion is necessarily art but I do know that it deserves to be inhabited by people who ache for it the same way others do for art. What's not fair is that great contemporary art is for sale while great contemporary fashion usually isn't. So this was my motivation when curating The Scope Contemporary Fashion Fair. You can step back and contemplate these pieces like meaningful sculptures or you can buy them and wear them like they ultimately should be. The point for me is that at least they will be accessible to an engaging audience - and hopefully a real life client - not just for someone studying them through the prism of an abstract image. They're close enough to devour and they're ready to be consumed. Just like art.
- Diane Pernet

Markt Curator & Founder of ASVOF/ A Shaded View on Fashion
www.ashadedviewonfashion.com

Markt 2010 - Designers
CHICKS ON SPEED
GRAHAM TABOR & MIGUEL VILLALOBOS
HORMAZD NARIELWALLA
LAMIJA SULJEVIC
SANDRA BACKLUND
SHARI PIERCE
SIX SCENTS PARFUMS
SKYWARD/ANIKA BERGER & ROBERT KNOKE

SCOPE Film

Schedule

Thursday | March 4 | Martha Colburn presents | "Political Revolution in my Basement"
Friday | March 5 | A Shaded View on Fashion Film curated by Diane Pernet presents | a day of film
Saturday | March 6 | Zach Layton presents | "d.i.y. sci-fi"
Sunday | March 7 | Divya Mehra and Rammy Lee Park present | "The Interruption" a hyperreal installation and selection of films from the MFA Film Program at Columbia University

Martha Colburn
Join the Freedom Force, 2009
4:10min
www.marthacolburn.com


SCOPE Film Program | Thursday March 4 | Martha Colburn

Martha Colburn Presents | "Political Revolution in my Basement"

Films:
Anne McGuire, All Smiles and Sadness (7:00), 1999
Jamie Mohr, Coma Club (10:00), 2010
Michael Rudnick, Claude In “The Shower” (2:05), 2010
Martha Colburn, Join the Freedom Force (4:10), 2009
Felix Kubin (Germany), Lightning Strikes, directed by Sonke Held (4:10), 2009
Felipe Waller (Mexico), Maid in Mexico – Yosoyerica (4:10) 2009
George Kuchar, Artspace (10:00) 2010
Rich Cohen, Feedback (5:00) 2010
Greg Holm, Ice House Detroit (5:00), 2010

Martha Colburn was born in 1971 and raised in the Appalachian Mountains of Pennsylvania (USA). Based in Holland and New York since 2000.

A self-taught filmmaker, she has completed over 40 films since 1994. Based in Baltimore, Maryland in the 90's, she self-released six records and toured American and European cinemas and music venues with her work. In 2000 she moved to Holland for the Rijksakademie Van Beeldende Kunst art residency, where she created installations, prints and paintings which were presented in Europe, China and New Zealand art institutions. Her films have screened successive years in Sundance, Rotterdam and New York Film Festivals and In the Fortnight of New Directors at Cannes Film Festival in 2005. Recently she contributed animation to Jeff Feuerzeig's documentary "The Devil and Daniel Johnson". Her work has shown in the Whitney Biennial (2006), Centre Pompidou, Andy Warhol Museum and the Museum of Modern Art (NY). She has collaborated with musicians Jad Fair, Eye Yamatsuka, and Deerhoof on her soundtracks and self-released 6 albums of her own music.

Martha Colburn has been featured in exhibitions and film festivals around the world including at the Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, P.S.1 Contemporary Art Center, Queens, NY, Musee d Art Moderne et Contemporain de Strasbourg, France, Museum of Contemporary Art, Lyon, France, Serpentine Gallery, London, UK, Anthology Film Archive, New York, NY, Contemporary Art Center, Vilnius, LT, Nanjing Art Institute Gallery, Nanjing, China, Harvard Film Archive, Cambridge, MA, Rotterdam International Film Festival, Rotterdam, NL, Sundance Film Festival, Park City, UT, New York Underground Film Festival, New York, NY.


www.marthacolburn.com

Michael Nyman
Witness II
Aushwitz (Poland) 2008
Single Screen - DVD
Duration 06.17min

SCOPE Film Program | Friday March 5 | A Shaded View on Fashion Film

A Shaded View on Fashion Film curated by Diane Pernet presents a day of film

A Shaded View on Fashion Film shakes up the old rules of fashion by putting the focus on the moving image, in an industry long dominated by the "still" photographic medium. In the time of digital, film has become the freshest way for fashion makers to draw attention to their work. Revolving around a selection of short films, the common thread is the use of fashion, beauty and/or style; a study in the drama, power and personification that fashion evokes and commands on screen. Since its premier in 2008 at the Jeu de Paume National Gallery, the program of short films has traveled to institutions like the Guggenheim Bilbao, Cinema Rise X in Tokyo, the Chelsea Arts Club in London; fashion events such as AltaRoma in Rome and many others around the world - Seoul, Riga and Mexico City to name just a few; and screenings at festivals like Hyeres, Festival 9 in Vienna and the Arnhem Biennale.

Diane Pernet of A Shaded View on Fashion Film Festival presents a selection of films including works by Michael Nyman, Erwin Olaf, Steven Klein, Bianca Pilet, Benjamin Seroussi, Camille Vivier & Sanghon Kim, Malcolm Pate, Vincent Gagliostro, Georgie Greville, Fumiko Imano, Suzie Q & Leo Siboni, Andrea Splisgar, Elisha Smith-Leverock, Chris Cunningham, Sara Dunlop, Griffin, Mattias Montero, Ruth Hogben, Justin Anderson, A Shaded View, Johan Renck, Manuel Miranda, Diane Pernet & Matthew Hawkins, Jun Takahashi, Igor Zimmermann, Frode Fjerdingstad, Marcus Palmqvist, Inez Van Lamsweerde & Vinoodh Matadin, Nick Knight, Eric Smith, Alia Raza, Ada Bligaard Soby and Pacome Thiellement.

www.ashadedviewonfashionfilm.com
www.ashadedviewonfashion.com

Bradley EROS + Tim Geraghty
TRANSTRANS
(Transformers Transformed), 2009
HD/ digital video
12min

Soundtrack mix includes:
Francois Bayle, Frank Zappa, Einsturzende Neubauten, Terry Fox, Christian Fennesz.

All text from F.T. Marinetti's Futurist Manifesto (1909) & Manifesto on Futurist Cinema (1916).

Commissioned by Performa 09

SCOPE Film Program | Saturday March 6 | Zach Layton

"D.I.Y. Sci-Fi"

Curated by Zach Layton

Damon Packard - Space Disco One (part one) aka "Beyond 1984", 19 min 16 " (2007)

Jessie Stead, Color Photographs of the Moon - 1 min 33" (2003)

Joshua Thorson - World Contact, 14 minutes, (2004) Music by I Love You. With John Kelly, Pat Palermo, Adam Reed, and Louis Columbo.

Shana Moulton - The Mountain Where Everything is Upsidedown, 4:00 (2006)

Vicki Bennett (People Like Us) - The Remote Controller, 9 mins (2003)

Bradley Eros - Transformers Transformed, 7 mins (2009)

Alyssa Taylor Wendt - "You the Vandal", 19 mins (2008)

Felix Kubin & Mariola Brillowska - Hotel Supernova, 4 min 04" (2002)

Damon Packard - Blade Runner 2, 6 mins 06" (2008)

Jeannie Liotta - Sweet Dreams, 3 mins 45" (2009)

Shana Moulton - Whispering Pines 4, 10 mins 53" (2007)

Jeff Keen - Irresistable Attack, 10 mins, 8mm (1995)

Joshua Thorson - New Testament, 21 minutes, (2007) Music by Nick Hallett and Uncle Woody Sullender. With Larry Miller, Paul Sepuya, Viva Ruiz, and Matt Dunn.

Elle Burchill - AFTERMATH, 7 mins (2010)

Jen Liu - 2304 is a Beer Drinking Year, 5 min 49" (2004)

ANONYMOUS ART INITIATIVE, Feminist Harvest, 4 mins, (2010)

Vicki Bennett (People Like Us) - Trying Things Out , 4 mins (2007)

Jillian McDonald - Apocalypse Zombie, 5 mins 44" (2009)



feature:

Craig Baldwin, Specters of the Spectrum, 91 mins (1999)



4pm live performance:

Fair Use Trio - (Luke Dubois, Matthew Ostrowski, Zach Layton); 2001: A space odyssey & Blade Runner (30 mins)

Rammy Lee Park
At Night I Wake to Dream , 2008
Mini DV
07:00 min

Oz Malul
Stepping on your face (it's me bitches) , 2007
Mini DV
01:54min



SCOPE Film Program | Sunday March 7 | Divya Mehra and Rammy Lee Park

Divya Mehra and Rammy Lee Park present | "The Interruption" a day of film and hyperreal installation in collaboration with the MFA film program at Columbia University


interrupt |ˌintəˈrəpt|
verb [ trans. ]
1 stop the continuous progress of (an activity or process) : the buzzer interrupted his thoughts.
- stop (someone speaking) by saying or doing something : "Of course..." Shepherd began, but his son interrupted him | [with direct speech ] "Hold on," he interrupted.
2 break the continuity of (a line or surface) : the coastal plain is interrupted by chains of large lagoons.
- obstruct (something, esp. a view).

ORIGIN late Middle English : from Latin interrupt- 'broken, interrupted,' from the verb interrumpere, from inter- 'between' + rumpere 'to break.'

The artistry of interruption is best experienced in New York City's Chinatown district, where one is incessantly inundated with all levels interruptions; pushy street vendors, distressed children, screeching traffic, fortune tellers grabbing you by the left arm while bookies in secret shops grab your right arm in attempts to convince you to bet against the Jets. With so much over-stimulation it's a miracle that our ears still perk up at even the faintest whispers in this neighborhood, as though we were waiting to hear something meaningful. "Gucci? Prada? Rolex...Rolex?" Camouflaged amongst Chinatown's congestion, it's very easy to walk right by one of tens of dozens of secret hawkers, passive aggressively trying to push the the latest knock-off Chanel clutch. However unlike everything else happening in Chinatown, individuals actually come from all over New York and abroad to seek out these vendors. They hide in alleys promising good bargains, concealing their counterfeit goods in large black garbage bags or suitcases with wheels; that allow for a quick get-away from the authorities. The most inventive of these vendors will lead you into their storefront shop, which appears to sell perfume, belts, scarves and video-games, into a back-room or a basement. Those brave enough to venture this far in are rewarded with knockoffs of the highest quality.

In collaboration with the MFA film program at Columbia University Mehra and Park present a day of film and hyperreal installation based on the technique of interruption; that is the idea to create a break or freeze of what is currently happening forcing a change in direction or thought.

The collaboration will unfold simultaneously. The first part is a hyperreal installation specifically created for the SCOPE Art Fair and aptly titled The Interruption ['10]. The intention is to create an installation where it becomes difficult to distinguish between reality and fantasy. Multimedia artist Mehra, will install 25 performers who will situate themselves throughout the fair and attempt to hawk masterpiece counterfeit works of art. Much like the hawkers in Chinatown they carry large black garbage bags, suitcases, dress in dark plain clothing and most importantly, all be of the same ethnicity. Do we shy away from these men or report them to security as we begin to notice one after the other? Are we afraid of our misconceptions? Or during these recessionary times do we rush over to buy knockoffs and score a deal at the fair? Although it is in sharp contrast to the method which Mehra usually presents her work, the intentions are similar: to question ideas of cultural identity, race, and our preconceived notions of the other.

 

The second component to the collaboration are films from Columbia's MFA Film department; a program curated by Rammy Lee Park and Divya Mehra. The program experiments with narrative storytelling, creating extraordinary tales out of imagined experiences. A few of the chosen works include, Recess ['09], which attempts to explore teenage rebellion, pinpointing the exact moment in a girl's life when childhood is violently interrupted to make way for adult responsibilities. At Night I Wake To Dream ['08], touches on an active dream-life used as a means to escape reality - but reality will always interrupt fantasy. These, along with a few select works, impose interruptions in multiple ways to reveal fragile inner desires and offer varied interpretations of what it means to be interrupted, or to interrupt.

All filmmakers and artists involved are candidates for or graduates of the School of the Arts at Columbia University.

Artist Bio | Statements

Rammy Lee Park
www.rammypark.com

Synopsis: A young girl's imaginary escape is interrupted by harsh realities.

Artist bio: Rammy Lee Park is a writer and filmmaker. A former journalist, she cut her storytelling teeth at NY1 News, ABC News, New York Magazine and The Associated Press. Her work as a director/producer has screened at The Anthology Film Archives, the Pusan International Film Festival, (le) Poisson Rouge, Cinequest and the Spokane International Film Festival. She was a finalist for the HBO Young Filmmaker's Award and was recently nominated for a film grant from the Princess Grace Foundation. Her next film, THE HOMECOMING QUEEN, is currently in post-production. An MFA candidate in the film program at Columbia University's School of the Arts, she lives and works in Brooklyn, New York.

DIVYA MEHRA
www.divyamehra.com

Artist Bio: Divya Mehra is a multimedia artist who recently earned an MFA from Columbia University, New York. She obtained her BFA with Honors from the University of Manitoba's School of Art. In her practice she explores issues of cultural displacement and hybridization, deploying a humorous perspective in the execution of the works. Her work has been included in a number of exhibitions and screenings across North America and overseas, most notably at The Queens Museum of Art and The Guild Art Gallery (New York, U.S.A.), the Beijing 798 Biennale (Beijing, China), Plug In ICA (Winnipeg, Canada), The Images Festival and A Space (Toronto, Canada), Groupe Intervention Video (Montreal, Canada), and Gallery OED (Cochin, India). Mehra currently divides her time between Winnipeg and New York.


MARKUS KIRSCHNER
www.markuskirschner.com

Synopsis: When Dolly's fiance ditches her in the Nevada desert, her worst nightmare becomes her only comfort. Communion explores young love interrupted by one of our biggest fears: abandonment.

Artist Bio: Markus Kirschner holds a B.A. in Literature from Bard College and an M.F.A. in Filmmaking from Columbia University, New York. His short film, Communion, won the Nevada Filmmaking Award at CineVegas 2009 and also played at the AFI Dallas, Palm Springs, Rhode Island and Bilbao International Film Festivals. His first short film, Caged Birds, premiered at NewFilmmakers at Anthology Film Archives in New York City. When not creating his own work, Markus works as a production designer. Most recently he production designed Sundance 2010 selection, 3 Backyards starring Edie Falco and Elias Koteas. Kirschner is also a contributing curator to ryeberg.com. Kirschner lives and works in New York City.


OZ MALUL
www.ozmalul.com

Synopsis: A topless D.J. is sitting in front of his computer, all alone in his studio. The songs are replaced by drum loops and the sound bites are played repetitively. The D.J. is introducing the songs by shouting a series of undefinable syllables facing the wall with his back to the camera. The mix of these components results in a grotesque portrait of modern culture.

Artist bio: Recent graduate of Columbia University's MFA department, Malul is currently living and working in Israel.

BLAKE MARTIN

Synopsis: Driving home to see his dying father, Nick's journey is interrupted by thoughts of what he might say at his bedside. But life doesn't go by any one script, and Nick may be surprised by the raw beauty of it all.

Artist bio: Blake Martin studied writing and photography at the University of Pennsylvania before turning to film. He credits a post-bac course on Fellini and a handicam bought on credit for his conversion to the moving image. His third film, 3 Endings was shot on location in Richmond, Virginia.


APRYL RICHARDS

Synopsis: Childhood interrupted.

Artist bio: Apryl graduated cum laude from the University of Washington, where she concentrated in Experimental Digital Video and was a Mary Gates Research Scholar. She was a Production Design teaching assistant and guest lecturer at the University of Washington and received an Award for Academic Excellence in a Technical Program for her carpentry work at the Center for Wood Construction. Apryl has also worked as a technical illustrator and graphic designer for the Microsoft Corporation, was an Art Director for The Brand Upon the Brain!, (a feature film directed by Guy Maddin), and was a project manager for Swingset Film & Audio - a start-up film production company established to support low-budget filmmakers, musicians, and visual artists in Seattle. As the director of youth programs at the Maysles Institute in New York she developed curriculum for a summer documentary film program for children in Harlem. Apryl is currently pursuing her Master in Fine Arts in Film at Columbia, and is a visiting faculty member at the Center for Digital Art and Experimental Media at the University of Washington.

SUNSET TELEVISION
www.sunsettelevision.com

Synopsis: SUNSET TELEVISION EPISODE 4: SADNESS: The fourth episode by New York experimental comedy collective Sunset Television is very short, but still manages to seamlessly and lovingly intertwine three-legged blind dogs, beautiful Swedish men with glorious flowing long hair, and nude sandwich eating into one long emotional shower of depressing humor. Happiness interrupted.

Artist bio: SUNSET TELEVISION is a small group of individuals working in New York City together in a small room, creating little pieces of absurd comedy with a focus on blurring the line between what they find and re-appropriate, and what they create from scratch. Each episode is meticulously strung together together with a theme in mind and then called an"episode."


DAVYDE WACHELL
www.davyde.com

Synopsis: Recess tracks a suburban American girl's struggle with her queerness.

Artist bio: Davyde Wachell is a young filmmaker from Vancouver. His shorts examine the problem of violence and identity in young people. Wachell's work has premiered at Tribeca. His most recent work includes producing, Pool Party, by director Sara Zandieh in Tehran. Wachell currently lives in Istanbul.

Personal Development Auction:
Schedule
First Bid | Wednesday March 3
Public Bid | March 4 - 6 | SCOPE Pavilion
Closing Bid | Saturday March 6 | 6pm

PDA NYC 2010, the SCOPE Art Show, People’s Revolution and artist Lilah Freedland present the Personal Development Auction (PDA), where luminaries, artisans, and icons donate one hour of their time, redeemable as mini mentorships.

 

This season, SCOPE presents the PDA, a unique participatory project from artist Lilah Freedland, benefiting the Scope Foundation. During the PDA, participants have the opportunity to bid on experiences like a private lesson with a top chef, a personal tour of the Columbia Brain Science Lab, a lesson in pyrotechnics, a session with the pied piper of screen printing, or lunch with a top financial planner.

The silent PDA will culminate Saturday afternoon in a Live Auction of Personal Favors. Proceeds from the auction go to the SCOPE Foundation to support artist projects. Upcomming and recent projects include: ArtFarm, an artist residency on a working farm, where artists work in the studio and in the field to contribute food and inspiration to weekly farm dinner events and goods; The Arctic Circle, a series of artist-led expeditions to The Arctic Circle aboard a traditionally rigged sailing vessel; and The Girl Project, which explores the lives of American teenage girls through photographic images they create themselves.
The mandate of the SCOPE Foundation is to help emerging contemporary artists, musicians and curators through grants, awards and acquisitions. This artist-driven 501(c)(3) was launched to fund and promote emerging contemporary art in and out of the traditional marketplace. The SCOPE Foundation provides everyone with the opportunity to be a philanthropist.

PAST SCOPE FOUNDATION PROJECTS
The Collector Mentorship Auction with: Arnold Lehman, Kim Levin, Beth Rudin DeWoody, Kenny Schachter, Kay Saatchi, Hans Ulrich Obrist, Eileen and Richard Eksract, Dennis Oppenheim, Rob Teeters, Terrie Sultan, Alexis Hubshman, Louisa Buck, Melva Bucksbaum and Rayomond Learsy


Cheap Fast and Out of Control
Print editions, T-shirt s, books, records, live music

The Girl Project
thegirlproject.org

The Arctic Circle
thearcticcircle.org
Museum presents | scope film | scope sound

The mandate of the SCOPE Foundation is to help emerging contemporary artists, through grants, awards, and acquisitions. SCOPE is dedicated to not only supporting the international up-and-coming artistic community, but local schools and not-for-profit arts institutions.
The Sweet Shop by Pratima Naithani

Agró/Glickman STEP (1) is pleased to announce that The Sweet Shop, a new multi-media, mobile art installation by New York-based artist Pratima Naithani will make its debut at the SCOPE New York Art Show from March 3 to 7, 2010.

Reinventing select vestiges from India’s vast artistic, cultural, and religious traditions within a contemporary context, The Sweet Shop is a mobile art installation that takes place throughout the exterior and interior of a refurbished school bus. The project’s premise involves using the universal language of art as a “vehicle” for sharing the artist’s perspective on vibrant aspects of Indian culture with a broad audience by taking art OUT of the gallery and INTO the streets. Open to public viewing while parked at SCOPE, the installation will also shuttle visitors between the various art fairs taking place from March 4 to 7. Additional works by the artist are also on view inside.

Sweet Shop Schedule
Hours parked at SCOPE:
Wednesday 3/3 from 3 - 9pm
Thursday 3/4 from 12 - 4pm
Friday 3/5 from 12 - 3pm
Saturday 3/6 from 12 - 4pm
Sunday 3/7 from 2 - 6pm
SCOPE is located at 62 St. between Columbus/9
th Ave. and Amsterdam/10th Ave.

Hours shuttling between SCOPE, the Armory, and Pulse:
Thursday 3/4 from 4 - 6pm
Friday 3/5 from 5 - 7pm
Saturday 3/6 from 4 - 7pm
The Armory drop-off/pick up location is on the lower level of Pier 92 on 12th Ave. at 52 St.
Pulse is located at 330 West St. at the corner of the West Side Highway and West Houston St.

For schedule updates and for more information on
The Sweet Shop, please visit
http://www.step1art.com/scopeny2010_home.html
www.pratimanaithani.com/sweet.



Last Updated ( Wednesday, 03 March 2010 )
 
ARMORY ARTS WEEK NEW YORK 2010
Written by Lee Wells   
Thursday, 25 February 2010

Things have been really busy here at PAM. Totally understaffed in relation to everything and are trying to get caught up. In the meantime, for those of you that will be in New York over the next 10 days, here is a list of happenings, openings and fairs going on during this years New York Armory Art Week 2010. The below list is courtecy of Douglas Kelly that painstakenly has assembled this amazing list.

For a full list please see dks.thing.net.
(Thank You Douglas for all the years of staying on top of it)

shapeimage_1.png
             The BRUCENNIAL 2010: Miseducation

Thursday February 25th
  • Whitney Biennial opens, supposed to be good!
  • Konstantinos Stamatiou, Refused Reused at Black & White Gallery, 636 West 28th St., 6-8
  • Debra Hampton Twenty Paces at Priska Juschka Fine Art, 547 West 27th Street, fl. 2, 6-9
  • Nari Ward LIVESupport at Lehmann Maupin, 540 West 26th Street, 6-8
  • Lesley Dill Paper & Bronze at George Adams Gallery, 525 West 26th Street, 5:30-7:30pm
  • Animate Matter w/ Dona Nelson, Pia Maria Martin, Richard Staub & Rose Wylie at Thomas Erben Gallery, 526 West 26th Street, fl. 4, 6-8:30pm
  • Tala Madani, Pictograms at Lombard-Freid Projects, 531 West 26th Street, 6-8
  • Paul Kolker Einstein, Mandelbrot, & their Footprints on the Sands of Time... Go Digital! The Epilogue at Studio 601, 511 West 25th Street, 6-8
  • Michel Francois Pavilion Interface at Bortolami, 510 West 25th Street, 6-8
  • John Himmelfarb Geared Up at Luise Ross Gallery, 511 West 25th Street, fl. 3, 6-8
  • Pieter Hugo, Nollywood at Yossi Milo Gallery, 525 West 25th Street, 6-8
  • "The Museum of Unnatural History": Artworks by R. Barnes, J. DeMarte, B. Fitch, J. Greenberg, N. Hatanaka, H. Kallio, H. Michallon, L. Nix, E. Ross, A. Stein, and M. Villanueva at CLAMPART, 521-531 West 25th Street, Grd fl.,
  • Marcia Hafif From the Inventory: Black Paintings, 1979-80 at Newman Popiashvili, 504 West 22nd Street, 6-8
  • Marion Wilson, Artificially Free of Nature, New Paintings, at Frederieke Taylor Gallery, 535 West 22nd Street, 6th fl., 5-7pm
  • Lyle Ashton Harris Ghana at CRG Gallery, 535 West 22nd Street, 6-8
  • Photography, Eve Fowler One thing I forgot to tell you at Horton Gallery, 504 West 22nd Street, 6-8
  • Ken Price, Sculpture & Drawings at NYEHAUS, 358 West 20th Street, #2,
  • Ken Grimes Contact - New Evidence at Ricco/Maresca Gallery, 529 West 20th Street, fl. 3, 6-9
  • Tala Madani Pictograms at Lombard-Freid Projects, 520 West 19th Street, 6-8
  • JOS M YTURRALDE, Horizons, Horizons at Gering Lopez Gallery, 730 Fifth Avenue at 57th Street, betw 56th & 57th, 6-8 (the best uptown gallery, always worth the trip!)
  • Photography, The Heartbeat of Fashion as inspired by F.C. Gundlach at Howard Greenberg Gallery, 41 East 57th Street, fl. 14, 6-8
  • Joel Meyerowitz, Stephen Shore, William Eggleston Pioneers of Color at Edwynn Houk Gallery, 745 Fifth Avenue at West 57th Street, 6-8 (Talk, Joel Meyerowitz, Kevin Moore Pioneers of Color 3-4pm)
  • Leonid Lerman, New Sculpture at McKee Gallery, 745 Fifth Avenue, maybe no opening?
  • Gregory Gillespie Paintings at Forum Gallery, 745 Fifth Avenue at West 57th Street, fl. 5, 6-8 
  • Milton Avery, Industrial Revelations at Knoedler & Company, 19 East 70th Street, 5-8
  • George Condo and Rosemarie Trockel at Skarstedt Gallery, 20 East 79th St., by appointment
  • THE BRUCENNIAL at 350 Broadway at Leonard, 6 Web site
    1. Those five wild and crazy (anonymous) guys who are the Bruce High Quality Foundation ( Represented by: Susan Inglett Gallery NY.) are on fire, what with their recent "intervention" in the "1969" exhibition at P.S.1 and their free-wheeling "university" at Recess at 41 Grand Street and at 225 West Broadway in Tribeca. Now, Bruce is kicking things up a notch with the Brucennial2010, Feb. 25-Apr. 4, 2010, a parody version of the Whitney Biennial -- or maybe it’s more serious than it lets on -- being presented in a 5,000-square-foot space at 350 West Broadway in SoHo donated by the real-estate mogul and megacollector Aby Rosen. Titled "Miseducation," the Brucennial supposedly "brings together 420 artists from 911 countries working in 666 discrete disciplines." In a press release, the globetrotting curator Francesco Bonami is quoted at nonsensical length, presumably a pastiche as well, though the announced participation of the young curator Vito Schnabel seems to be on the level. An email asks prospective participants to "either dredge something up or create something new. . . . As fast and loose as you like." The event also promises performances on Feb. 25, 2010, and a literary supplement launching the same day at www.brucennial.com
  • Intersections curated by Cora Cohen w/ Corey D'Augustine, Gar Wang & Marsha Melnick at Educational Alliance, 197 East Broadway, 6-8
  • Tang Nannan What I can See From Here at Living with Art Gallery, 153 Lafayette Street, 6-9
  • Anya Kielar Face at Rachel Uffner Gallery, 47 Orchard Street, 6-8
  • Panel on the future of literary journalism at Melville House, 145 Plymouth Street at Pearl, Brooklyn, 7
  • Photog Amy Williams Within You, Without You at 440 Gallery, 440 Sixth Avenue, Brooklyn, 6-9

Friday February 26th
  • A Super Cool Party with Performances by artist's and groups like; Aleksandra Mir, Brahms, Brina Thurston, Charles Stankievech, Class Actress, Lemonade, Shana Moulton, Simone Leigh "A New Breed" curated by Ian Daniel, Mary Mattingly  to benefit Exit Art's SEA program and the Waterpod at Exit Art, 475 Tenth Avenue at 36th Street, $5-$20 Pay-As-You-Wish, 8-1am (this goes late so we'll have time to hit the galleries before you boogie down.) A, C, E or 1, 2, 3, trains to 34th Street/Penn Station, I'll be there!
    • Brina Thurston performance ongoing throughout night. Brina Thurston is a multimedia artist who works with video, sculpture and photography and social practice. "Seeking out the humor, sexuality and absurdity in the everyday while maintaining a critical view of our contemporary social systems, many of these pieces are steeped in institutional critique and become reactions/interventions to the artists immediate surroundings." Thurston has exhibited at Rivington Arms, Dean Projects, Gavin Brown @ Passerby, Location One
    • Videos by Simone Leigh & Charles Stankievich ongoing. Leigh’s work has been exhibited nationally, including solo shows at Rush Arts Gallery Project Space and Momenta Art gallery and in group exhibitions at Exit Art, The Kitchen, The Fine Art Work Center, Rotunda Gallery and more. Leigh uses the "anthropological term skeuomorph as a reoccurring concept in her work, describing a derivative object that retains some sort of physical or metaphorical elements of the original, a substitute used to ease a sense of loss."
    • 8pm DJ Trent of WFMU
    • 8:45pm Brahms, Newly formed in Brooklyn, Brahms is already making big waves with their electro-pop beats and creative performance style. They are quickly taking over the local music scene, as Deli Magazine notes, with a line-up of great shows with well known bands including Telepathe, Boy Crisis, Body Language, Javelin and Lemonade.
    • 9:30pm Shana Moulton performance "Nature MeditationMoulton is a video artist listed by Paddy Johnson in Art Fag City and L Magazine's "Art: Best of 2009," who uses video and performance to "create oblique narratives combining unsettling humor with a low-tech, Pop sensibility. Moulton's work frequently involves a character that navigates the enigmatic and magical properties of her home decor while interacting with consumer products toying with an issues about commercialization, subcultures of self-help and low-brow spiritualism." Moulton has performed pieces at Performa '09, the Bellwether Gallery, Art in General, Socrates Sculpture Park, Smack Mellon, and has an upcoming performance at the Kitchen.
    • 10pm Class Actress - Elizabeth Harper, deemed "Brooklyn's very own Madonna" by NY Press, with her new electro-pop trio Class Actress, is using older 80's syth influences to break new ground in music and peformance. Pitchfork.com describes them as "freely appropriating the sullen synthetics of New Order, the Human League, and Depeche Mode [while offering] a playful, breathy coo that hearkens back to hipster queens like Blondie's Debbie Harry and Saint Etienne's Sarah Cracknell."
    • 10:45pm Aleksandra Mir "Gravity" Aleksandra Mir's art focuses on "faith in possibility, and those coincidences that make an expanding world a little smaller. Her work is about social systems, demography, ephemera, distribution, and tourist economies. Mir advocates new ideas of community by forming strong collaborative relationships and encouraging public interaction with her art." This will be the first public screening in New York of her video "Gravity." Charles Stankievech "Ghost Rockets" Video Screenings Charles Stankievech,an artist, writer, educator and curator was an "artist in residence" on the Waterpod. He will screen his film "Ghost Rockets" from his series of rocket launch spectacles occurring at sites around the world tracing the history of ballistics. Adapting the form of a rock’n roll world tour, each site is paired with a pop song, which often becomes the performance’s title and inspires a choreographed spectacle involving amplified sound on location, smoke grenades, lighting effects, and the rocket launch. "Ghost Rocks" will be exhibited at an upcoming exhibit at Palais de Tokyo in Paris
    • 11:15pm Lemonade This popular brooklyn trio are reinventing electro-dance-rock through their big beats and entrancing shows. Lemonade replicate "that first sensation of losing yourself in a peak-hour, strobe-lit reverie where the communal act of dancing teeters between liberation and disorientation," says Pitchfork.com, "imagineMetal Box-era John Lydon bellowing out Sigur Rós' Hopelandic lyric sheet-- but layers it with Arabic-accented melodies, machine-gunned synths and a pounding 4/4 beat."
    • 12-1am DJ Trent of WFMU
  • The Review Panel:  Critic David Cohen and others discuss  discussed the "what's happening shows"  including El Anatsui, Damien Hirst (yawn), Yvonne Jacquette, & Tino Sehgal (Hooray!) at National Academy Musuem & School of Fine Arts, 1083 Fifth Avenue at 89th Street, 6:45pm
  • Robert Morris, Untitled (Scatter Piece) 1968-69 at Leo Castelli Gallery, 18 East 77th Street, probably no opening
  • Whitney Biennial
  • Book launch for David Levi Strauss From Head to Hand at CUE, 511 West 25th Street, 5-8
  • The Museum of Unnatural History at Clamp Art, 521-531 West 25th Street, 6-8
  • Eemyun Kang, Dozing River at Tina Kim Gallery, 545 West 25th, 3rd FL,
  • David Smith at Gagosian Gallery, 555 West 24th Street, 6-8pm
  • Talk, Slavs & Tatars 79-89-09 curated by Beatrice Gross at SVA (Eastside Gallery), 209 East 23rd Street, 3rd fl, free, 7-9
  • Alexander Calder at Gagosian Gallery, 522 West 21st Street, 6-8
  • Bbbrrriiiaaannn Bbbeeellloootttttt, The Joy of File at ZRCHER studio, 33 Bleecker Street, 6-8
  • Lucas Ajemian & Julien Bismuth at Invisible Exports, 14A Orchard Street at Canal, 6-8
  • We're getting married! (David Kesting and Christina Ray) Come celebrate with us at Hotel on Rivington, 107 Rivington Street 9:00pm - 11:00pm?
  • Strongman reception, Screening & shorts at Gallery Aferro, 73 Market Street, Newark, 7-9
  • Susan Newmark at Figureworks, 168 N. 6th Street at Bedford, Brooklyn, 6-9
  • Benefit: The Great Pop-Up Art Sale at Dumbo Arts Center (DAC), 30 Washington Street, Brooklyn, Dumbo, 6-9
  • Michelle Forsyth Over & Over at Hogar Collection, 362 Grand Street at Marcy, Brooklyn, 6-9
  • John Plunkett The Absurd Life at Gitana Rosa Gallery, 19 Hope Street, #7, Brooklyn, 6-8
  • Space Mind w/ Emily Roz, Patricia Smith & Thomas Broadbent at Front Room Gallery, 147 Roebling Street, Brooklyn, 7-9
  • Unidentified Living Objects... an exhibition curated by Helianthe Bourdeaux-Maurin and featuring monumental works by international artists Pierre Ardouvin (France), Edith Dekyndt (Belgium) and Gereon Lepper (Germany) at Parker's Box, 193 Grand Street, Brooklyn, 6-11PM (put the frigging address and Web link in the e-mail next time!) By subway from Manhattan
    L Train to Bedford Avenue (first stop in Brooklyn), then walk south down Bedford Avenue from North 7th to Metropolitan, North 1st and Grand Street, turn left on Grand. Or JMZ to Marcy Avenue (first stop in Brooklyn), walk north on any street west of the Brooklyn Queens Expressway (overhead) to Grand, turn left on Grand. 6-11
  • Photog Zhu Ming Breaking the I solation curated by Vigi at Alice Chilton Gallery (ACG), 147 Roebling Street, Brooklyn, 6-8
  • Each + Every at ICP-Bard Studios, 24-20 Jackson Avenue, Queens, 6-10pm
  • 4th installment of Brooklyn Is Burning at PS1, 22-25 Jackson Ave at 46th Ave, Queens, 4-6

 Saturday February 27th

  • Sofi Zezmer Remote Control at Mike Weiss Gallery, 520 West 24 Street, 6-8
  • Helsinki School-Seven Approaches w/ Anni Leppala, Hannu Karjalainen, Niko Luoma, Ola Kolehmainen The Helsinki School at Bryce Wolkowitz Gallery, 505 West 24 Street, 6-8
  • Thomas Nozkowski, Works on Paper 1991-2008  at Senior & Shopmaker Gallery, 210 Eleventh Avenue, 8th fl.,
  • Esko Mannikko Harmony Sisters + Sharon Core at Yancey Richardson Gallery, 535 West 22nd Street, fl. 3, 6-8
  • Hail Jedediah Caesar at D'Amelio Terras, 525 West 22nd Street, 6-8
  • Katayoun Vaziri at Max Protetch, 511 West 22nd Street, 4-6
  • Candida Hofer at Sonnabend, 536 West 22nd Street, 5-7
  • Stefan Bruggemann, Headlines & Last Line in the Movies + Joan Jonas Reading Dante II at Yvon Lambert Gallery, 550 West 21rst Street, 6-8
  • John Bock at Anton Kern Gallery, 532 West 20th Street, 5-7pm
  • Meredyth Sparks, EXTRACTION at Elizabeth Dee Gallery, 545 West 20th Street, 6-8
  • Five Year Anniversary Group Show at Jonathan LeVine Gallery, 529 West 20th Street, fl. 9, 7-9
  • Beat Streuli. NYC 91/09 at Murray Guy, 453 West 17th Street, 6-8
  • Whitney Biennial
  • Jen Denike at 492 West 128th Street at Amsterdam, performances 1-5, presented by Smith-Stewart
  • Living the Dream, group show curated by Matt Campbell at Fuse Gallery, 93 2nd Avenue, 7-10pm
  • Steve Gross & Susan Daley Schoharie Photographs at O.K. Harris, 383 West Broadway, betw Broome & Spring, 3-5pm
  • Rafael Rozendaal, Tara Sinn at Spencer Brownstone, 39 Wooster Street, betw Grand & Broome, 6-8
  • Feel It W/ The Functionality at With NYC, 141 Division Street, betw Ludlow & Essex, 7-9
  • George Kontos at Renwick, 45 Renwick Street at Spring, 6-8
  • Benjamin Degen at Museum 52, 4 East 2nd Street at Bowery, 6-8
  • Lit: NY a celebration of the opening of Castlebraid Artillery, 114 Troutman Street, betw Central & Evergreen, Brooklyn, 2
  • Sara Bouchard performs "Songs of Lewis & Clark" at Proteus Gowanus, 543 Union Street down the alley off Nevins, 7-9 pm Fee: $5 RSVP at This email address is being protected from spam bots, you need Javascript enabled to view it
  • Screening- The Yes Men Fix the World at Gallery Aferro, 73 Market Street, Newark, 7-10pm

Sunday February 28th
  • Birgit Rathsmann & Ryan McNamara performance at Nicelle Beauchene Gallery, 163 Eldridge Street, 4pm
  • Reconstruction #1 w/ Clifford Owens, Debo Eilers, Georgia Sagri, JJ Peet, Tommy Hartung & Zipora Fried  at On Stellar Rays, 133 Orchard Street, 6-8
  • Valeska Soares: Vaga Lume at Eleven Rivington, 11 Rivington Street, 5-7
  • Alejandro Vidal, when it rains, all shines black at PARTICIPANT INC., 253 East Houston Street, betw Norfolk & Suffolk, 7-9
  • Tiokasin Ghosthorse performs at Invisible Dog, 51 Bergen Street near Smith, Brooklyn, 6:30, $5 suggested
  • Jonathan Kanes February Live Recording Project at Issue Project Room, 232 3rd Street, betw 3rd & 4th, Brooklyn, $15


Monday March 1rst


Tuesday March 2nd
  • The Art Show and its Gala Preview, will benefit Henry Street Settlement and continue an art world institution. The Art Show (Park Ave. Armory), organized by the Art Dealers Association of America, features 70 international dealers with works ranging from 19th and 20th century to Modern and Contemporary. The Art Show gala opening event features food, drink and art. Young Collectors Committee to offer special YCC benefit tickets ($100 for under 35) that includes access to the YCC after-party!
  • Dan Funderburgh at Siegerson Morrison Laboratory Boutique, 19 East 71st Street, betw Madison & 5th, 6:30-9
  • Rainer Ganahl at Alex Zachary, 16 East 77th Street, betw Madison & 5th, 6-8
  • Thanks, but its actually on purpose at SVA Visual Arts Gallery, 601 West 26th Street, 15th fl., betw 11th & 12th, 6-8
  • Karl Fritsch & Richard Wathen at Salon 94 Freemans, 1 Freeman Alley at Rivington Street, 6-9
  • Mark Power, Lime, Tangerine & Jetson - New Drawings at LZ Project Space, 164 Suffolk Street at Stanton.  7-9

March 2010 Art Fairs


Wednesday March 3rd

  • The Armory Show 2010 Opening Day for invited guests at Moma, The events for the fair will run all day from 11:30am to 11:30pm. The Armory Show Opening Party (8:30pm-11:30pm) is at MoMA. Tickets for both the vernissage and the opening party are $100.
  • Opening of Scope Art Fair. The First View press and VIP preview run from 3-9pm at the Lincoln Center location: 62nd Street & Amsterdam. For the rest of the week, general admission to the fair is $20, and student price is $10.


Thursday March 4th
  • Dutch Art Now at The National Arts Club, 15 Gramercy Park South, March 3 -7: 11 am - 5pm March 8 - 14: Call ahead
  • Fountain New York Pier 66 at 26th Street & West Side Highway in Hudson River Park www.fountainexhibit.com March 4 -7, 2010

  • Independent, 548 West 22nd Street 4-9pm and is free of charge. www.independentnewyork.com March 4 - 7, 2010 Opening: March 4, 6-9  March 5 & 6, 11-8, March 7, 12-4 A new collaborative kind of art fair conceived by Elizabeth Dee, founder of X Initiative, and gallerist Darren Flook, who operates the Hotel gallery in London; the "collective consortium" has also enlisted as advisors Thea Westreich Art Advisory Services and Matthew Higgs, director of White Columns, promises to bring over 35 galleries, nonprofits, publishers and other participants to the four-story facility, including Maureen Paley from London, Artists Space, Rodeo from Istanbul and October magazine. The idea, Dee says, is to "Keep things moving and evolving." One special project, by the collaborative group Claire Fontaine, is a neon work above the door reading Please God Make Tomorrow Better.
  • PooL at the Gershwin Hotel, 27th Street & 5th Avenue www.poolartfair.com March 5 -7, Friday -Sunday: 3 pm to 10 pm
  • Pulse, 330 West Street (corner of West Side Highway @ West Houston) www.pulse-art.com March 4 -7, Thurs. -Sat. Noon -8, Sun. Noon - 5, 2010 Pulse Exhibitors
  • Red Dot, Skyline Studios, 500 West 36th Street at 10th Avenue www.reddotfair.com March 4 -7,Thur. Noon -6 pm Fri. & Sat.: 11am -8pm Sun. 11 am -7 pm

 

  • Verge New York 2010 http://www.vergeartfair.com 4-7 March The Dylan Hotel, 52 East 41st Street (Betw Madison & Park Avenues) Thurs.: PROFESSIONAL PREVIEW, Noon to 6:00 pm Opening night preview: $20 General admission: $10, $5 for students and seniors6 -10 pm. Fri.-Sat. Noon -8 pm, Sun. Noon - 6 pm.
    • ANTIDOTE, Brooklyn, New York, AS Projects, Paris, France, Cara and Cabezas Fine Art, Kansas City, Missouri, Cellar Gallery, Tokyo, Japan, Alice Chilton Grace Gallery, Brooklyn, New York, Corridor Gallery, Brooklyn, New York, Front Room Gallery, Brooklyn, New York, Galerie CP: Angela Cerny & Ronald Puff, Wiesbaden, Germany, Galerie Donald Brown, Montréal, Québec, Canada, Galerie Yellowfishart, Montréal, Québec, Canada, Gitana Rosa Gallery, Brooklyn, New York, Home Gallery, Chicago, Illinois, Khaki Gallery, Boston, Massachusetts, Mighty Tanaka, Brooklyn, New York, MS Projects, Brooklyn, New York, Sara Nightingale Gallery, Shelter Island, New York, Nroom Artspace, Tokyo, Japan, Rush Arts Gallery, New York, New York, Suzy Spence Projects, Brooklyn, New York, Tache Gallery, Richmond Hill, New York & Fu Xin Galerie, Shanghai, China
Friday March 5th
  • The World is Not Enough: The Future of Biennials Curators of major biennial events discuss the future role of expansive, international surveys of contemporary art in today's fluctuating political and economic landscape. With Dan Cameron (Curator, Prospect New Orleans), Gary Carrion-Murayari (Senior Curatorial Assistant, Whitney Museum of American Art; Co-curator, 2010 Whitney Biennial), Elizabeth Sussman (Curator, Whitney Museum of American Art; Co-curator, 1993 Whitney Biennial), Christiane Paul (Adjunct Curator, Whitney Museum of American Art; Artistic Director, Third Quadrilateral Biennial 2009, Museum of Modern and Contemporary Art, Rijeka), and Trevor Smith (Curator of Contemporary Art, Peabody Essex Museum; Co-curator, Singapore Biennale 2011). Moderated by Katy Siegel (Associate Professor of Art History and Criticism, Hunter College; contributing editor, Artforum)  a 2:00 - 3:00 

  • From Outside In: The Socioeconomics of Contemporary Art Critics, journalists and art market analysts discuss their individual approaches to decoding the exceptional social and economic landscape of the art world. WWhat are the challenges involved in reporting on an unregulated market? What kinds of economic indices work - and which don't - in analyzing this market? What forms of study or reporting - anthropology? Sociology? The "New New" journalism? - are most effective in covering the art world and making sense of its byways? With Marion Maneker (Art Market Monitor), Sergey Skaterschikov (Skate's Art Market Research), Sarah Thornton (author, Seven Days in the Art World, (W.W. Norton, 2008), Judd Tully (Editor at Large, Art + Auction), and Edward Winkleman (Winkleman Gallery, NY). Moderated by Sarah Douglas (Senior Correspondent, Art+Auction and Modern Painters magazines)at The Armory Show, Open Forum Lounge, Pier 92, 12th Avenue at 52nd Street Time: 4:00 - 5:00 PM

  • Fountain & Long Island City the first of two Fountain Art Fair parties at its location at the Frying Pan (26th St / Pier 66) 7pm to midnight.
  • Online, Offline, Flatline: Art Publishing Now Art writers and publishers discuss producing their work in a fluctuating economic and digital landscape, confronting the unsettling question as to whether paper is indeed a dying medium. With Paul Laster (Editor, Artkrush), Peter Nesbett and Shelly Bancroft (former co-publishers, Art on Paper), Mark Rappolt (Editor, ArtReview) Moderated by David Shapiro (Editor-in-Chief, Museo Magazine) at Volta NY, Club 7W Talks Lounge, 7 West 34th Street, 7th Floor, 3- 4PM

Saturday March 6th
  • The Upside to the Downside: Young Collectors in the Global Market The Association of Professional Art Advisors (APAA) presents a panel moderated by Art Market Views' Lindsay Pollock about opportunities for new collectors in today's international art market. With Joshua Adler (Adler Development), Jen Bekman (Jen Bekman Gallery, NY); Sharon Coplan Hurowitz (Coplan Hurowitz Art Advisory), and Thomas Solomon (Thomas Solomon Gallery, LA) at The Armory Show, Open Forum Lounge, Pier 92, 12th Avenue at 52nd Street Time: 11:00 AM - 12:00 PM
  • Armory Focus: Berlin-based gallerists, artists, and collectors discuss the city as an emerging center for contemporary art. With Themistocles Michos, Giti Nourbaksch (Galerie Giti Nourbaksch, Berlin), Cay Sophie Rabinowitz (Hauser + Wirth, NY), and Simon Dybbroe Møller at The Armory Show, Open Forum Lounge, Pier 92, 12th Avenue at 52nd Street Time: 2:00 - 3:00 PM
  • Post-what? Post-modern, post-conceptual, post-ironic, post-black, post-9-11, post-post...? Is contemporary art an endless cycle of post-isms? Moderators Sarah Douglas (Senior Correspondent, Art+Auction and Modern Painters) and Joao Ribas (Curator, MIT List Visual Arts Center) gather a group of artists, critics, and curators to discuss the current post-what? state of contemporary art. With Svetlana Boym, Kate Fowle (Executive Director, iCI), Dushko Petrovich, Ingrid Schaffner (Senior Curator, Institute of Contemporary Art, University of Pennsylvania), and Alexandre Singh at The Armory Show, Open Forum Lounge, Pier 92, 12th Avenue at 52nd Street Time:  4:00 - 5:00 PM
  • Ask Los Artistas A panel consisting of several contemporary artists from Latin America and a single critic moderator, this presentation will be structured along the lines of a newspaper Advice Column, with questions being asked anonymously by the audience members, several preselected "guests" and the artists themselves. With Jota Castro, Alexandre Arrechea, Dario Escobar and Carlos Motta. Moderated by Christian Viveros-Fauné at Volta NY, Club 7W Talks Lounge, 7 West 34th Street, 7th Floor,  5:00 - 6:00 PM
  • Fountain & Long Island City the first of two Fountain Art Fair parties at its location at the Frying Pan (26th St / Pier 66). Saturday Night, Artlog Live hosts the Fountain party with celebrity guest DJ Marky Ramone of The Ramones. 7pm to midnight.
  • Kotaro FUKUI Performance: Silent Flowers and Ostriches at Chelsea Art Museum, 556 West 22nd Street, 4-5:00,
    • "The form to come and where the lines will go are unknown. He often says before the action I am nervous, because, I dont know what the painting will eventually look like."
  • Sue Gurnee: The Fulgent Cadences, paintings to assist the decision making process + Group Show: Tantra : some big ideas from small paintings; anonymous, didactic abstractions at Feature Inc, 131 Allen Street, 6-8
  • Group, Who are you close to at Jane Kim/ Thrust Projects Bowery,, #301, 6-8
  • Nora Herting: Free Sitting at Like The Spice Gallery williamsburg/greenpoint 224 Roebling Street Brooklyn, 6:30-9
    • Most of us have childhood memories of assuming strange postures and smiling fakely while questionably fashioned, all for the benefit of appearing content, attractive, and harmonious in a family photograph. Nora Herting became so fascinated by the social phenomenon of these awkward and ubiquitous family portraits, that she went undercover as a trade photographer at JcPenny portrait studio.
  • Tobias Madison: Hydrate + Perform at Swiss Insitute, 495 Broadway, 3rd Floor 6-8
  • Brian Conley: LIVE PERFORMANCE at The Boiler (Pierogi), 191 North 14th Street, Brooklyn,

Sunday March 7th
  • Framing Art in the 21st Century In the dual wakes of digitization and economic shifts, the music and publishing industries have been grappling with issues of production and distribution. Faced with the same questions, how might visual art will be disseminated, sold, and exhibited in the coming decades? How will arts organizations be challenged to find alternative, less conventional ways to reach new publics? With Holly Block (Director, Bronx Museum for the Arts), Amy Cappellazzo (Int'l Co-Head of Postwar and Contemporary Art, Christie's), Shamim Momin (founder, LAND), Sara Reisman (Director, Percent for Art), Dan Cameron (Curator, Prospect New Orleans), Nato Thompson (Chief Curator, Creative Time), and Manon Slome (founder and curator, No Longer Empty). Moderated by Lindsay Pollock at Volta NY, Club 7W Talks Lounge, 7 West 34th Street, 7th Floor, 3:00 - 4:00 PM

  • Last Day of the art fairs!! Their Sunday schedules are:
    • Armory Show: 12-7pm
    • Art Show: 12-6pm
    • Pulse: 12-5pm
    • VOLTA NY: 11am-7pm
    • Fountain: 11am-7pm
    • SCOPE: 12-6pm
    • Dutch Art Now: (call ahead)
    • INDEPENDENT: 12-4pm
    • Korean Art Show: 11am-7pm
    • PooL: 3-10pm
    • Red Dot Art Fair: 11-6pm
    • Verge: 12-6pm
  • Also, check out the Lower East Side and Downtown events going on throughout the day. Highlights include guided tours of Lower East Side / Downtown Art Galleries, children’s tour of artist studios hosted by No Longer Empty, and Peter Coffin's 13 silhouette sculptures population City Hall Park.


Last Updated ( Thursday, 25 February 2010 )
 
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